Showing posts with label New York theater. Show all posts
Showing posts with label New York theater. Show all posts

Thursday, April 12, 2012

On the theater beat


Reviewed for Live Design magazine, Death of a Salesman with Philip Seymour Hoffman and the late, unmourned revisal of Carrie. And, for Theater News Online, a largely successful screen to stage adaptation (pictured). The cast album is gorgeous, by the way.

Tuesday, May 24, 2011

Live from the Drama Desks


And there I was, at Table 1 (Table 1!) last night, in the presence of an august nominee who was a bit peeved not to win. But so it goes. Look for me when the show is telecast (with judicious edits, natch) on Ovation beginning June 4.

And the winners were...my personal favorites were Bobby Cannavale, sensational in The Motherf**ker in the Hat (pictured), and 12-time nominee Derek McLane, finally winning for his ship-shape Anything Goes set design. "My son always asks why I don't win one," he remarked.

The show itself was a far more opulent affair than in recent years, with welcome one-stop carousing and celebrating at the Hammerstein Ballroom and its Manhattan Center environs and actual musical performances. Not much eating, however, as nominee Colin Quinn rather devastatingly pointed out from the dais ("three ziti in a red sauce you call dinner?"), to catcalls from the staff. (It must be said that the red velvet cupcakes and brownies at the afterparty went down a treat.)

So, a good time was had by all, with the possible exception of a few nominees. Best gaffe went to presenter Christian Siriano, who referred to "The Mechanic of Venice," which then became a running gag. (And not a bad idea; Jason Statham, call your agent.) And I had nice chats with special award honoree Reed Birney and Book of Mormon nominee Andrew Rannells, who may not have won but comported himself with style and charm. I'm glad I voted for him.

Friday, April 29, 2011

Mormon, Porter excel at Drama Desks


The Book of Mormon and the revival of Anything Goes bowled over the Drama Desk nominations committee this year, with The Merchant of Venice taking play honors. I must catch up on a few shows before voting. The big night is May 23.

Thursday, April 21, 2011

Live Design: The "It's Showtime!" edition


"Six shows running at once!"--Max Bialystock, The Producers. Including the four-star, four-letter-word filled smash The Book of Mormon, pictured.

Thursday, August 19, 2010

Henry hews to Andrew


Henry Hewes Design Awards, that is. The Broadway-bound Bloody Bloody Andrew Jackson, that is, for Donyale Werle's Public-filling, Southern-fried scenic design, an excellent choice (pictured). Plus Martin Pakledinaz for Lend Me a Tenor's costumes, Kevin Adams for American Idiot's lighting, and The Orphans' Home Cycle's production team for notable effects.

Saturday, August 14, 2010

Secrets of the Trade


For Theater News Online: The great John Glover gives Noah Robbins life lessons in Jonathan Tolins' new play, at Primary Stages. Love the "Cafe des Artistes" backdrop.

Friday, July 30, 2010

Live Design: The Grand Manner


Two days left to see A.R. Gurney's comic rumination on an encounter with Katharine Cornell, with Kate Burton, Boyd Gaines, and Bobby Steggert, as I resume my usual semi-usual posting, mostly about posts. Just the way it is these days.

Tuesday, July 06, 2010

Live Design: The Merchant of Venice


Al Pacino seeks his pound of flesh in Shakespeare's confounding comedy, running in repertory with The Winter's Tale through Aug. 1 at the Delacorte.

Monday, May 24, 2010

Drama Desk winners announced


Two ties highlighted this year's awards, as Outstanding Play Revival and Outstanding Actress (Musical) deadlocked. Me? I was most happy to see Alex Timbers' book for Bloody, Bloody Andrew Jackson win, to see the Tony-ineligible Brighton Beach Memoirs get a bit of recognition, and that the ensemble cast of The Temperamentals had something to celebrate as the show closed. Can't argue with the rest, not doing cartwheels, either; it was that kind of season. The award-winning import Red, which struck gold, is pictured.

Friday, February 26, 2010

Live Design: Tempests of various kinds


The Bridge Project production of The Tempest across the street at BAM, and the gay-themed musical Yank! (pictured), are part of this week's roundup.

Tuesday, February 23, 2010

So goes Ohio

Unhappy news from the New York theater front, regarding a venue where I saw many a provocation:

"The Ohio Theatre, a pillar of New York’s downtown theatre scene for 29 years, will close on August 31, 2010. The new landlord has issued official notice and no further negotiations are scheduled.

Located at 66 Wooster Street, The Ohio Theatre was one of Soho’s pioneering performance spaces and is now one of the last remaining. The not-for-profit theatre company Soho Think Tank runs the space under the direction of artistic director Robert Lyons. Lyons says, “It’s where Tony Kushner produced his first play out of college, where Philip Seymour Hoffman made his professional acting debut, where Eve Ensler performed Dicks in the Desert, a decade before writing The Vagina Monologues. The Ohio Theatre has been an incubator and platform for New York’s most exciting and innovative theatre artists for almost 30 years. Its closing emphatically punctuates the end of an era in Soho, and stands as a high profile casualty in the relentless decimation of the lower Manhattan theatre landscape.”

To mark this traumatic event, the Ohio Theatre will be providing a space on their website, where artists and audience members will be able to post their thoughts, memories and experiences at the theatre. Robert Lyons goes on to say, “There will also be a place for artists who have performed at the Ohio Theatre to post production photos. We especially encourage those with pre-digital photos to take the time to scan and post them. Literally thousands of theatrical events have taken place at the Ohio over the last 29 years and we would like to have them ALL represented. We also encourage people to make a donation to help us through what promises to be a difficult transition.”

In the meantime, the current season continues, including preparation for Ice Factory 2010, as well as plans for a major dance party some time this summer.

Soho Think Tank’s short-term priority is to find a home for their signature programs: STT PRESENTS and the Obie award-winning ICE FACTORY Festival. Toward that end, they are currently in discussion with other downtown venues, including HERE Arts Center, Dixon Place, PS122 and The Public about their next season.

As for long-term goals, Soho Think Tank has begun discussions with some of the core theatre companies of the Ohio Theatre community about forming a coalition to secure a new space.

Robert Lyons explains, “For 29 years, the Ohio Theatre has embodied the living history of the neighborhood of Soho, continuing the spirit of community and cutting-edge artistic practice that once defined the area. It’s been a host to a generation of the finest, most exciting and widely recognized companies working in NYC in the last three decades and has cultivated a diverse and growing community of artists who are collectively changing the cultural landscape of New York and beyond.”

The critically acclaimed work of these artists and companies has garnered innumerable OBIES, Drama Desk nominations, Off-Broadway transfers, national and international tours, including multiple Edinburgh Fringe First Awards. In 2002, the Ohio Theatre received the Ross Wetzsteon OBIE Award, in recognition of its sustained artistic excellence and contributions to the theatre community.

Today, the Ohio Theatre is one of the last non-commercial arts centers remaining in Soho. It continues to foster an environment of generosity, dialogue and inspiration, where artists take risks and try out new ideas, bringing their work to a new level. One of the most beautiful venues in lower Manhattan, it remains a boon to emerging artists and the viability of experimental theatre in New York City. For this, the Ohio Theatre is widely recognized as an indispensable pillar of downtown Manhattan’s cultural life.

“This is a great loss for the city on many levels. It is the loss of a historic institution, the loss of a vibrant ongoing platform for new work. And it is yet another contribution to the loss of Manhattan’s cultural identity,” says Robert Lyons.

Monday, October 05, 2009

Henry Hewes Design Awards noms announced


Quite a slate of nominees this year, for behind-the-scenes talent that sets the stage so well. Shrek the Musical's set and costume designer, Tim Hatley, is in good company this year.