On the Waterfront alone would a great screenwriter make. But an On the Waterfront plus A Face in the Crowd makes for legend in a debased business--and all the wiser for having just a handful of credits in the field. (I wish I had seen the rare Wind in the Everglades at Film Forum last week.) A TV version of What Makes Sammy Run is next in my Netflix queue. But I really should read the book.
No comments:
Post a Comment